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THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

Scientists of Tuebingen discover the Brain Regions responsible for
Self Awareness

The Future of Pharmaceutics

Peter Hübner

 

 






Peter Hübner - Micro Music Laboratories
Peter Hübner  •  Music & Brain – Musical Perspective
The Physics of Music
The physics of music in the objective field is based on the metaphysics of music – provided the origin of music, the harmony, the objective basis of music, is perceived – and in the subjective field it is based on self-knowledge.

Furthermore, the physics of music ranges from the technology of subjective musical production – the mechanics of the mind, the mechanics of the intellect, and the mechanics of the senses and their mas­tery by the in­ner self – to the phys­ics of mu­si­cal in­stru­ments, and to the en­tire ma­chin­ery of mu­si­cal pro­duc­tion, and mu­si­cal re­pro­duc­tion re­spec­tively.

In this con­text it is nec­es­sary to dis­tin­guish, from within as well as from out­side, be­tween the phys­ics of mu­sic and the phys­ics of an acous­tic event, be­cause the phys­ics of mu­sic, with com­pel­ling logic, con­tains the crea­tive back­ground for pro­duc­ing mu­sic, while the phys­ics of the acous­tic event does not take into ac­count the im­por­tant fac­tor of crea­tiv­ity, which alone trans­forms an acous­tic event es­sen­tially into mu­sic.







MEDICAL RESONANCE THERAPY MUSIC®
Medical Music Preparations on CD
RRR 935 Creativity
Creativity
 

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© 1998- SCIENTIFIC MUSIC MEDICINE | Contact

Subject to change in the interests of scientific advancement.