Part 1   •   Part 2


Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

Scientists of Tuebingen discover the Brain Regions responsible for
Self Awareness

The Future of Pharmaceutics

Peter Hübner



Peter Hübner - Micro Music Laboratories
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Peter Hübner – The Future of Pharmaceutics

Prof. Dr. Rudolf Haase

renowned author founder of the Hans Kayser Institute for Fundamental Harmonical Research at the UNIVERSITY FOR MUSIC &
in Vienna – the most eminent
music university in the world

In a letter to Peter Hübner:

“For many years I have been playing your composition ‘The Song of Life’ to my students, a significant example of that, and how harmonical fundamentals derived by nature can be used as a basis for composition today.

My ‘Fundamental Harmonical Research’ is part of the music therapy course and of the curriculum in 5 departments (faculties) at the University of Music in Vienna, which with around 3000 students and 400 lecturers, is the largest in the world.

I am particularly interested in your ‘Music and Health’ project… actually the objective of my career at the University of Music in Vienna focused on providing a scientific basis for the music therapy education introduced in Vienna.

You will now have a better understanding of why I am interested in your project: the possibility of a cooperation with my Institute exists. In any event, I can at only provide encouragement for your project and would be delighted to see it supported from as many angles as possible.

Given my 25 years experience. I can really encourage you to realise similar efforts … in your planned music faculty and would be happy to provide any advice in this respect.“

Mu­sic & Na­ture: And phar­ma­ceu­tics does not achieve this to­day?

Peter Hübner: No, not only does it fail to achieve this, it has never so far strived to achieve it – proba­bly does not con­sider it fea­si­ble. I am there­fore con­tinu­ously try­ing to take these ideas to this ma­jor, vi­tal sec­tor of in­dus­try.

Mu­sic & Na­ture: But still pre­suma­bly with­out suc­cess.

Peter Hübner: Yes, so far with­out suc­cess. But now the pic­ture has changed. For I have outstripped phar­ma­ceu­tics and its prod­ucts, with my own mu­si­cal prod­ucts in some medi­cal ar­eas. I have achieved this in two ways: firstly, our medi­cal mu­sic prepa­ra­tions are in many cases stronger than phar­ma­ceu­ti­cal ones, sec­ondly, due to their har­monic struc­ture, they pro­duce no un­wanted side ef­fects at all and thirdly – I had al­most for­got­ten this point – pro­vi­sion and use of medi­cal mu­sic prepa­ra­tions is cheaper and also far more pleas­ant for pa­tients to use.

Mu­sic & Na­ture: Must the top peo­ple in phar­ma­ceu­tics fi­nally wake up and be­come more aware of the great com­pe­ti­tion?

Peter Hübner: Yes, they have to and so they should, be­cause af­ter all, I owe to this in­dus­try an im­por­tant part of our own medi­cal con­cept: the sci­en­tific ob­jec­tive pro­ce­dure and the pos­si­bil­ity of com­parison tests. And pre­vious in­ves­ti­ga­tions have shown that in many cases, at least up to now, peo­ple still also wish to use phar­ma­ceu­ti­cal prod­ucts at the same time.

This means then that our mu­sic prepa­ra­tions and phar­ma­ceu­ti­cal prod­ucts are used in par­al­lel by many spe­cial­ists, to achieve the op­ti­mum de­sired ef­fect. Medi­cal Reso­nance Ther­apy Mu­sic® is also often par­ticu­larly ef­fec­tive in af­ter-treat­ment, e.g. where un­wanted side ef­fects from phar­ma­ceu­ti­cal prod­ucts have to be re­duced or elimi­nated within a fore­see­able pe­riod. So, for the spe­cial­ists, many options exist for in­tel­li­gent use of phar­ma­ceu­ti­cal prod­ucts and Medi­cal Reso­nance Ther­apy in par­al­lel.

Mu­sic & Na­ture: But there are also quite a few cases where the phar­ma­ceu­ti­cal prod­uct has been re­placed by Medi­cal Reso­nance Ther­apy Mu­sic®.

Peter Hübner: Yes, I have heard this heard from sev­eral spe­cial­ists, and this situa­tion con­cerns the very prod­ucts, which pro­vide the great­est sales for the phar­ma­ceu­ti­cals in­dus­try. For this rea­son, to se­cure its fu­ture, the in­dus­try must look to­wards a con­ver­gence or even a re­la­tion­ship with us, if only for eco­nomic rea­sons.

Mu­sic & Na­ture: So, does that mean you want to merge with phar­ma­ceu­tics?

Peter Hübner: I be­lieve that phar­ma­ceu­tics is still the guar­an­tor for an ob­jec­tive, sci­en­tific pro­ce­dure for medi­cal ser­vices; i.e. the fun­da­men­tals of phar­ma­ceu­tics are my, or our natu­ral part­ner. It is my view that the con­ven­tional phar­ma­ceu­ti­cal con­cept sim­ply re­quires a ba­sic ex­pan­sion. It is about the natu­ral struc­tur­ing and crea­tion of the medi­cal prod­uct – in­clud­ing the phar­ma­ceu­ti­cal.

Mu­sic & Na­ture: What should I un­der­stand by the natu­ral crea­tion of a phar­ma­ceu­ti­cal prod­uct”?

Peter Hübner: Can I ex­plain this with an ex­ample: If I am on a plat­form wait­ing for a train, I wait un­til the train stops, get on, sit down and the train de­parts. This proc­ess ap­pears com­pletely nor­mal to us all. In fact it is. But this is not the case in con­ven­tional phar­ma­ceu­tics; it sim­ply brings pas­sen­ger and train to­gether – with­out re­gard for the re­spec­tive speeds of the two; it pro­duces and pre­scribes its prod­ucts in such a way that in some cases, the pas­sen­ger has to jump onto a train rush­ing through the sta­tion and in do­ing so, can sus­tain a va­ri­ety of spe­cial in­ju­ries. These in­ju­ries are the un­wanted side ef­fects of phar­ma­ceu­ti­cal prod­ucts.
The har­monic method is based on har­mo­nis­ing space and time – in com­pari­son with the train ex­ample: match­ing the re­spec­tive speeds of pas­sen­ger and train to ensure safe em­bar­ka­tion. This struc­tural match­ing of space and time of prod­ucts to the sin­gle pa­tient is a com­pletely new con­cept for phar­ma­ceu­tics but such mod­ern ideas and dy­namic con­cepts can­not be avoided if pa­tients are to be treated in a natu­ral way.
The only other option is the pure em­piri­cal escape into the har­moni­cally struc­tured prod­ucts of na­ture it­self – that is the use of natu­ral plant ex­tracts.

In vari­ous dif­fer­ent cul­tures and par­ticu­larly in the jun­gles of Mexico and South Amer­ica, phar­ma­ceu­tics has al­ready started to search for spe­cial con­cepts from na­ture and medi­cos and to ex­am­ine them for their po­ten­tial heal­ing prop­er­ties. This pro­ce­dure was born from a tech­ni­cal in­abil­ity to look at the phe­nome­non of how the natu­ral is struc­tured.
The win­ners of this lot­tery-like strat­egy will be those who ul­ti­mately rec­og­nise the natu­ral unity of all the struc­tur­ally re­searched prod­ucts of na­ture, which they all have in com­mon – this is the prin­ci­ple of har­mony, the har­monic laws of na­ture.
As we know, the mi­cro­cosm of mu­sic is the mas­ter of knowl­edge for the har­monic laws of na­ture. For this rea­son, the re­sear­cher in this area is al­ways way ahead of re­search­ers in other ar­eas of na­ture. This is not be­cause he is natu­rally more in­tel­li­gent than oth­ers, but be­cause by choos­ing the har­monic, he has cho­sen the best area of re­search.

Kepler dis­cov­ered that with­out the laws of har­mony, there is no or­dered, dy­namic galaxy.
Mod­ern chrono-bi­olo­gists have dem­on­strated that hu­man health al­ways breaks down when the natu­ral har­monic or­der of the bio­logi­cal sys­tem is dis­turbed.

And even the ex­is­tence of the natu­ral struc­ture of chemi­cal ele­ments sim­ply proves the power of the natu­ral laws of har­mony. For phar­ma­ceu­tics, this means that it has to re­late to the har­monic or­der which un­der­lies the struc­ture of chemi­cal ele­ments to the har­monic or­der of the bio­logi­cal sys­tem and has to ap­ply it to the sys­tem and must make it in­te­grable to it; this means that phar­ma­ceu­ti­cal prod­ucts must be struc­tured in such way that they, in them­selves are struc­tured har­moni­cally, and fur­ther­more must re­late har­moni­cally to the natu­ral har­monic or­der of liv­ing or­gan­isms.

In­ci­den­tally, this is not my idea but was claimed some 2500 years ago by the great phi­loso­pher, mathe­ma­ti­cian, mu­si­colo­gist and doc­tor Pythagoras, the ac­cepted foun­der of our sci­en­tific age.

Medical Music Preparations on CD
RRR 101 Vital Energy
Vital Energy

RRR 102 Harmony

RRR 103 Hormone & Immune System
Disorders of the
Hormone & Immune System

RRR 105 Gynecological Disorders
Gynecological Disorders

RRR 106 Sleep Disordes
Sleep Disorders

RRR 128 Concentration / Memory
Concentration / Memory

RRR 133 Headache / Migraine
Headache / Migraine

RRR 921 Courage to Face Life
Courage to Face Life

RRR 931Relaxation
RRR 932 General Stress Symptoms
General Stress Symptoms

RRR 933 Neurodermatitis / Psoriasis
Neurodermatitis / Psoriasis

RRR 940 Cardiac & Circulatory Disorders
Cardiac &
Circulatory Disorders

RRR 934 Pregnancy & Birth
Pregnancy & Birth

RRR 935 Creativity

RRR 942 Mother & Child
Mother & Child

RRR 943 Pains / Post-operative Pains
Pains / Postoperative Pains

RRR 951 Mental Distress / Fear
Mental Distress / Fear

RRR 941 Neurophysiological & Sensory Disorders
Neurophysiological &
Sensory Disorders

If you like to look at the complete programs,
if you like to listen to the Medical Music Preparations or
if you want to download them,
please click on the CD-covers above.

If you click on the titles, it will lead you to the
scientific research.

With kind permission of AAR EDITION INTERNATIONAL

Subject to change in the interests of scientific advancement.