Part 1   •   Part 2


Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

Scientists of Tuebingen discover the Brain Regions responsible for
Self Awareness

The Future of Pharmaceutics

Peter Hübner



Peter Hübner - Micro Music Laboratories
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Peter Hübner – The Future of Pharmaceutics
“Like no other known medium, music can have a calming effect and in the worst case, can deaden emotions.
This is the psychological potential of music – but this aspect of music also has a physiological effect.”
Peter Hübner
Most of the mu­si­cal struc­tures used to­day are very simi­lar to the struc­tures used in chem­is­try and there­fore also cause un­wanted side ef­fects. If for ex­ample the aim is to cre­ate a cer­tain en­thu­si­asm for a rock con­cert, it is never the in­ten­tion to pro­duce a scene of de­struc­tion af­ter the rock con­cert and this is there­fore con­sid­ered an un­wanted side ef­fect.

Many other dis­tinc­tions can be made here, span­ning a wide area of sci­en­tific re­search. One such area of re­search is be­com­ing im­por­tant in the age of great eco­logi­cal de­struc­tion and so­cial prob­lems.
For it can be said with cer­tainty that the thought proc­esses of all those in­volved in this prob­lem are not struc­tured natu­rally and can­not there­fore per­form a natu­ral func­tion, nei­ther in the body nor in the en­vi­ron­ment.

The core of en­vi­ron­men­tal de­struc­tion lies in the un­natu­ral struc­tur­ing of the thought pat­terns of the very peo­ple who de­stroy the en­vi­ron­ment.

And since no known me­dium has a greater in­flu­ence on thought than mu­sic and since mu­sic is played and heard eve­ry­where, one may con­clude the fol­low­ing: the un­natu­ral struc­tur­ing of most con­tem­po­rary mu­sic, af­ter the tech­ni­cal noises made by ma­chin­ery and the nu­mer­ous chemi­cal poi­sons, is the most im­por­tant pro­ducer of un­natu­ral thought struc­tures, and there­fore con­trib­utes to en­vi­ron­men­tal de­struc­tion – be it ei­ther ac­tively or pas­sively.

There­fore, when I pro­duce Medi­cal Reso­nance Ther­apy Mu­sic®, I am very con­scious of this fact and make eve­ry effort to pro­duce mu­sic which has a natu­ral struc­ture and which there­fore sup­ports the natu­ral­ness of thought. So I pro­duce mu­sic with a struc­ture which meets the re­quire­ments of the har­monic laws of na­ture – as I am dis­cov­er­ing them in the mi­cro­cosm of mu­sic.

As well as struc­tur­ing natu­ral physio­logi­cal proc­esses in the hu­man body, I am also en­deav­our­ing, with the help of mu­si­cal struc­tures, to de­velop natu­rally struc­tured spiri­tual thought proc­esses.

If our bod­ies and physio­logi­cal make-up are struc­tured har­mo­ni­ously, even the in­di­vid­ual cells, and pref­era­bly fol­low the har­monic laws of na­ture – which the chrono-medics have proved – and if these same har­monic laws of na­ture, which also af­fect the paths of our stars (as proved by Kepler), even rule our emo­tional bal­ance, and if the same har­monic laws which we are also dis­cov­er­ing in the mi­cro­cosm of mu­sic, de­ter­mine the natu­ral­ness of our thoughts and there­fore in­flu­ence the for­ma­tion of our natu­ral con­sci­ence and will, and if it can now be medi­cally proved, that our spiri­tual state, our neu­ro­logi­cal func­tions and our physio­logi­cal proc­esses are de­pen­dent on, and have an equally strong in­flu­ence on each other, har­moni­cally struc­tured mu­sic is with­out doubt an ideal me­dium to train peo­ple in the natu­ral­ness of thought, natu­ral emo­tional sta­bil­ity and the natu­ral­ness of physio­logi­cal func­tions.
For mu­sic is able to ad­dress these three ar­eas of physi­ol­ogy, the psy­che and the spirit, both si­mul­ta­ne­ously and in­di­vidu­ally.

Pythagoras mainly drew at­ten­tion to the physio­logi­cally struc­tured meth­ods of treat­ment, al­though he ex­am­ined and de­scribed all three types in terms of mu­si­cal struc­ture in­flu­ences.

“For each preparation, we create a harmonic basic stock of the most varied musical structures which in terms of how they can be integrated and also how they relate to each other, represent some sort of unified field in which only later the required detail will be underlined and will become evident by its medical effect.”
Peter Hübner
And Socrates pro­vided con­fir­ma­tion, but placed the greater so­cial im­por­tance on the in­tel­lec­tual and/or ethi­cal in­flu­ence through mu­si­cal struc­tures. The crea­tors of great re­lig­ions by con­trast placed the great­est im­por­tance on the spiri­tual in­flu­ence through mu­sic.
Given this three-fold ef­fect of mu­si­cal struc­tures on hu­mans – in­tel­lec­tual, spiri­tual-emo­tional and physio­logi­cal – Pythagoras at­trib­uted the natu­ral, cen­tral mean­ing and/or func­tion of mu­si­col­ogy, to link the spiri­tual and natu­ral sci­ences ac­cord­ing to ob­jec­tive sci­en­tific cri­te­ria. Re­al­is­ing this idea how­ever brought him se­ri­ous po­liti­cal dif­fi­cul­ties; he was per­se­cuted, be­cause the ruling class at that time of arts schol­ars and reli­gious and po­liti­cal lead­ers rec­og­nised the dan­ger of loos­ing a ma­jor part of their power to ob­jec­tive natu­ral sci­en­tific knowl­edge. Sev­eral at­tempts were made to as­sas­si­nate Pythagoras. He even­tu­ally had to flee and go into hiding.

His school – nowa­days com­pa­ra­ble in its func­tions to the most com­plex uni­ver­sity, which in­te­grates natu­ral sci­ence, spiri­tual sci­ence and the arts – due to the per­se­cu­tion, had to be turned into a se­cret lodge and the in­te­gra­tion of spiri­tual and natu­ral sci­en­tific knowl­edge be­came a se­cret sci­ence.

Nev­er­the­less, one of Pythagoras´ideas was re­al­ised; the field of natu­ral sci­ence gained im­por­tance. This meant that the arts suf­fered a loss of power and be­came part of the use­less, elite scrap heap in the field of "lei­sure time ac­tivi­ties". But his one great idea of sci­en­tifi­cally in­te­grat­ing the spiri­tual and natu­ral sci­ences and the arts is still to be re­al­ised. A ma­jor task which can only be im­ple­mented jointly by natu­ral sci­en­tists, spiri­tual sci­en­tists, art­ists and mu­si­colo­gists and in fact which must be im­ple­mented if the hu­man race is to sur­vive in natu­ral hu­man dig­nity.

The com­ing to­gether of mod­ern mu­si­col­ogy and medi­cine as an or­gani­cally grown field, in which the ob­ject of sci­en­tific study – man – en­com­passes mind, body and spiri­tual state, ought to rep­re­sent an es­sen­tial key in per­form­ing the task of mod­ern medi­cine.
And there is an im­por­tant fu­ture role for Mi­cro Mu­sic La­bo­ra­to­ries® and phar­ma­ceu­tics to be­come ac­tively in­volved in gain­ing pre­cise knowl­edge on the cor­re­la­tion be­tween spiri­tual, emo­tional and physio­logi­cal proc­esses – be­yond cur­rent medi­cal aid for pa­tients.

Medical Music Preparations on CD
RRR 101 Vital Energy
Vital Energy

RRR 102 Harmony

RRR 103 Hormone & Immune System
Disorders of the
Hormone & Immune System

RRR 105 Gynecological Disorders
Gynecological Disorders

RRR 106 Sleep Disordes
Sleep Disorders

RRR 128 Concentration / Memory
Concentration / Memory

RRR 133 Headache / Migraine
Headache / Migraine

RRR 921 Courage to Face Life
Courage to Face Life

RRR 931Relaxation
RRR 932 General Stress Symptoms
General Stress Symptoms

RRR 933 Neurodermatitis / Psoriasis
Neurodermatitis / Psoriasis

RRR 940 Cardiac & Circulatory Disorders
Cardiac &
Circulatory Disorders

RRR 934 Pregnancy & Birth
Pregnancy & Birth

RRR 935 Creativity

RRR 942 Mother & Child
Mother & Child

RRR 943 Pains / Post-operative Pains
Pains / Postoperative Pains

RRR 951 Mental Distress / Fear
Mental Distress / Fear

RRR 941 Neurophysiological & Sensory Disorders
Neurophysiological &
Sensory Disorders

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With kind permission of AAR EDITION INTERNATIONAL

Subject to change in the interests of scientific advancement.